This year’s crop of Academy Awards contenders may not be the healthiest, but it sure is an interesting one.
With a generally so-so lineup, 2002 has produced a handful of traditional-looking candidates and a host of darker, edgier prospects that might slip into the race for lack of more conventional Oscar fare.
Hollywood’s awards season, which culminates with the Oscars March 23, offers a mix of the old guard who’ve won before (Jack Nicholson, Meryl Streep); established performers who’ve never won (Salma Hayek in “Frida,” Chris Cooper in “Adaptation”); past winners back in the hunt after long absences (Paul Newman, Nicolas Cage, Daniel Day Lewis); and at least one fresh face (Derek Luke in the title role of “Antwone Fisher”).
Along with sober, smells-like-Oscar candidates such as the crime epics “Gangs of New York” and “Road to Perdition” or the impassioned literary adaptation “The Hours,” the field includes the zestful musical “Chicago,” the fantasy sequel “The Lord of the Rings: The Two Towers,” the old-school melodrama “Far From Heaven” and the absurdist’s delight “Adaptation.”
Oscar nominations come out Feb. 11. Here’s a rundown of possible contenders in major categories:
Best Picture: “The Hours,” Stephen Daldry’s artful adaptation of the Pulitzer Prize-winning novel interweaving stories about Virginia Woolf, a despondent 1950s housewife and a troubled modern woman, is a likely competitor, along with two Irish-American mob tales, Martin Scorsese’s “Gangs of New York” and Sam Mendes’s “Road to Perdition.”
Peter Jackson’s “The Two Towers” is more action, less depth than last year’s “Lord of the Rings” installment, but it might bring another nomination for the franchise.
Sam Raimi’s “Spider-Man,” the year’s top-grossing hit, probably will be viewed too much as a summer popcorn flick to merit best-picture consideration. Though a bit lightweight, Rob Marshall’s “Chicago” entertains well enough that it could follow last year’s “Moulin Rouge” as a musical nominee.
Steven Spielberg’s cat-and-mouse adventure “Catch Me If You Can” also may lack the heft, but it’s an engaging romp and has better Oscar prospects than his other 2002 flick, “Minority Report,” which bears the stigma of a sci-fi genre generally not favored by awards voters.
The year’s surprise blockbuster “My Big Fat Greek Wedding” is a feel-good romance adored by general audiences but may prove too much of a featherweight for awards voters.
Other possibilities: “Antwone Fisher,” Denzel Washington’s directing debut, based on the real-life story of an angry orphan who finds solace in the care of a Navy psychiatrist; “Frida,” Julie Taymor’s vibrant film biography of Mexican artist Frida Kahlo; Todd Haynes’s “Far From Heaven,” a sumptuously photographed work that updates the style of ’50s melodrama maestro Douglas Sirk; “About Schmidt,” a darkly comic drama of late-life self-examination from director Alexander Payne; “Adaptation,” the latest bizarre concoction from writer Charlie Kaufman and director Spike Jonze, the team behind “Being John Malkovich”; “The Quiet American,” Phillip Noyce’s thoughtful rendering of Graham Greene’s novel of American imperialism in 1950s Vietnam; Spike Lee’s “The 25th Hour,” tracing the last day of freedom for a rueful prison-bound drug dealer; and Roman Polanski’s comeback film, “The Pianist,” a somber Holocaust story that took top honors at last spring’s Cannes Film Festival.
Best Actor: Past winner Daniel Day-Lewis is the man to beat, presenting one of cinema’s most black-hearted yet magnetizing villains in “Gangs of New York.” Like Oscar winner F. Murray Abraham, whose bad guy Salieri upstaged Tom Hulce’s Mozart in “Amadeus,” Day-Lewis’s turn overwhelms a solid performance by “Gangs” hero Leonardo DiCaprio.
Along with “Gangs,” DiCaprio has a shot at a nomination for “Catch Me If You Can.”
Three-time Oscar winner Jack Nicholson is a likely nominee for “About Schmidt.” Two-time winners Tom Hanks for “Road to Perdition” and Michael Caine for “The Quiet American” also are leading candidates.
Dual roles in “Adaptation” could land a nomination for Nicolas Cage, who gives his best performance since his Oscar-winning turn in 1995′s “Leaving Las Vegas.” Other possibilities include newcomer Derek Luke, “Antwone Fisher”; Edward Norton, “The 25th Hour”; Richard Gere, “Chicago”; Dennis Quaid, “The Rookie”; Adrien Brody, “The Pianist”; Sam Rockwell, “Confessions of a Dangerous Mind”; Robin Williams, “One Hour Photo”; Al Pacino, “Insomnia”; Kevin Kline, “The Emperor’s Club”; Pierce Brosnan, “Evelyn”; and John Cusack, “Max.”
Best Actress: Nicole Kidman, who plays Virginia Woolf, and two-time Oscar winner Meryl Streep, who plays a contemporary variation of the Woolf character Mrs. Dalloway, both have strong prospects for “The Hours.”
Their co-star, Julianne Moore, is being pushed by “Hours” distributor Paramount in the supporting category to avoid clashing with her powerful performance in “Far From Heaven,” which should earn her a best-actress nomination.
Salma Hayek emerges as a contender in the title role of “Frida.” With a spirited performance in “Chicago,” Renee Zellweger might follow Kidman, star of “Moulin Rouge,” as the second straight actress in a musical to earn a nomination (Zellweger also was nominated last year, for “Bridget Jones’s Diary”).
A relatively light field could open the door for a dark horse, including Diane Lane, “Unfaithful”; Jennifer Aniston, “The Good Girl”; Maggie Gyllenhaal, “Secretary”; and Samantha Morton, “Morvern Callar.”
Best Supporting Actor: If the award were given for multiple roles, John C. Reilly might be a lock, with impressive parts in “Gangs of New York,” “The Hours” and “Chicago.” Individually, the roles may be too small to gain attention from academy voters.
Paul Newman is a safe bet for his gracious presence in “Road to Perdition.” He could wind up competing against “Perdition” co-star Tom Hanks, who delivers an engaging supporting role in “Catch Me If You Can.”
Strong candidates include scene-stealers Chris Cooper in “Adaptation” and Ed Harris in “The Hours.”
Other possibilities: Alfred Molina, “Frida”; Denzel Washington, “Antwone Fisher”; Ian McKellen and Viggo Mortensen, “The Lord of the Rings: The Two Towers”; Dustin Hoffman, “Moonlight Mile”; Dennis Quaid and Dennis Haysbert, “Far From Heaven”; Barry Pepper, “The 25th Hour”; and Christopher Plummer, “Nicholas Nickleby.”
Best Supporting Actress: “The Hours” co-stars Meryl Streep and Julianne Moore could be competing against each other, Streep for “Adaptation,” Moore for “The Hours” itself (Streep is a best-actress contender for “The Hours,” while Moore is a best-actress prospect for “Far From Heaven”).
Cameron Diaz is a contender for “Gangs of New York.” Past Oscar winner Kathy Bates in “About Schmidt” and Catherine Zeta-Jones in “Chicago” deliver performances that should draw them awards attention (unfortunately for Hope Davis in “About Schmidt” and Queen Latifah in “Chicago,” Bates and Zeta-Jones may overshadow their co-stars’s potentially awards-worthy roles).
Other prospects: Stephen Daldry, “The Hours”; Alexander Payne, “About Schmidt”; Todd Haynes, “Far From Heaven”; Denzel Washington, “Antwone Fisher”; Steven Spielberg, “Catch Me If You Can” or “Minority Report”; Sam Raimi, “Spider-Man”; Spike Lee, “The 25th Hour”; Julie Taymor, “Frida”; Spike Jonze, “Adaptation”; Roman Polanski, “The Pianist”; Phillip Noyce, “The Quiet American”; and Rob Marshall, “Chicago.”
Complete List of Oscar Noms
Complete list of 75th annual Oscar nominations announced Tuesday in Beverly Hills, Calif., by the Academy of Motion Picture Arts and Sciences:
- NOMINATIONS BY CATEGORY – 75TH AWARDS -
Performance by an actor in a leading role
Adrien Brody in THE PIANIST (Focus Features)
Nicolas Cage in ADAPTATION (Sony Pictures Releasing)
Michael Caine in THE QUIET AMERICAN (Miramax and Intermedia)
Daniel Day-Lewis in GANGS OF NEW YORK (Miramax)
Jack Nicholson in ABOUT SCHMIDT (New Line)
Performance by an actor in a supporting role
Chris Cooper in ADAPTATION (Sony Pictures Releasing)
Ed Harris in THE HOURS (Paramount and Miramax)
Paul Newman in ROAD TO PERDITION (DreamWorks and 20th Century Fox)
John C. Reilly in CHICAGO (Miramax)
Christopher Walken in CATCH ME IF YOU CAN (DreamWorks)
Performance by an actress in a leading role
Salma Hayek in FRIDA (Miramax)
Nicole Kidman in THE HOURS (Paramount and Miramax)
Diane Lane in UNFAITHFUL (20th Century Fox)
Julianne Moore in FAR FROM HEAVEN (Focus Features)
Renée Zellweger in CHICAGO (Miramax)
Performance by an actress in a supporting role
Kathy Bates in ABOUT SCHMIDT (New Line)
Julianne Moore in THE HOURS (Paramount and Miramax)
Queen Latifah in CHICAGO (Miramax)
Meryl Streep in ADAPTATION (Sony Pictures Releasing)
Catherine Zeta-Jones in CHICAGO (Miramax)
Best animated feature film of the year
ICE AGE (20th Century Fox) Chris Wedge
LILO & STITCH (Buena Vista) Chris Sanders
SPIRIT: STALLION OF THE CIMARRON (DreamWorks) Jeffrey Katzenberg
SPIRITED AWAY (Buena Vista) Hayao Miyazaki
TREASURE PLANET (Buena Vista) Ron Clements
Achievement in art direction
CHICAGO (Miramax) Art Direction: John Myhre
Set Decoration: Gord Sim
FRIDA (Miramax) Art Direction: Felipe Fernandez del Paso
Set Decoration: Hannia Robledo
GANGS OF NEW YORK (Miramax) Art Direction: Dante Ferretti
Set Decoration: Francesca Lo Schiavo
THE LORD OF THE RINGS: THE TWO TOWERS (New Line) Art Direction: Grant Major
Set Decoration: Dan Hennah and Alan Lee
ROAD TO PERDITION (DreamWorks and 20th Century Fox) Art Direction: Dennis Gassner
Set Decoration: Nancy Haigh
Achievement in cinematography
CHICAGO (Miramax) Dion Beebe
FAR FROM HEAVEN (Focus Features) Edward Lachman
GANGS OF NEW YORK (Miramax) Michael Ballhaus
THE PIANIST (Focus Features) Pawel Edelman
ROAD TO PERDITION (DreamWorks and 20th Century Fox) Conrad L. Hall
Achievement in costume design
CHICAGO (Miramax) Colleen Atwood
FRIDA (Miramax) Julie Weiss
GANGS OF NEW YORK (Miramax) Sandy Powell
THE HOURS (Paramount and Miramax) Ann Roth
THE PIANIST (Focus Features) Anna Sheppard
Achievement in directing
CHICAGO (Miramax) Rob Marshall
GANGS OF NEW YORK (Miramax) Martin Scorsese
THE HOURS (Paramount and Miramax) Stephen Daldry
THE PIANIST (Focus Features) Roman Polanski
TALK TO HER (Sony Pictures Classics) Pedro Almodóvar
Best documentary feature
BOWLING FOR COLUMBINE (United Artists and Alliance Atlantis)
A Salter Street Films/VIF 2/Dog Eat Dog Films Production
Michael Moore and Michael Donovan
DAUGHTER FROM DANANG (Balcony Releasing in association with Cowboy Pictures)
An Interfaze Educational Production
Gail Dolgin and Vincente Franco
PRISONER OF PARADISE (Alliance Atlantis)
A Média Vérité/Café Production
Malcolm Clarke and Stuart Sender
SPELLBOUND (THINKFilm)
A Blitz/Welch Production
Jeffrey Blitz and Sean Welch
WINGED MIGRATION (Sony Pictures Classics)
A Galatée Films/France 2 Cinéma/France 3 Cinéma/Les Productions de la Guéville/Bac Films/Pandora Film/Les Productions JMH/Wanda Vision/Eyescreen Production
Jacques Perrin
Best documentary short subject
THE COLLECTOR OF BEDFORD STREET
An Alice Elliott Production
Alice Elliott
MIGHTY TIMES: THE LEGACY OF ROSA PARKS
A Tell the Truth Pictures Production
Robert Hudson and Bobby Houston
TWIN TOWERS
A Wolf Films/Shape Pictures/Universal/Mopo Entertainment Production
Bill Guttentag and Robert David Port
WHY CAN’T WE BE A FAMILY AGAIN?
A Public Policy Production
Roger Weisberg and Murray Nossel
Achievement in film editing
CHICAGO (Miramax) Martin Walsh
GANGS OF NEW YORK (Miramax) Thelma Schoonmaker
THE HOURS (Paramount and Miramax) Peter Boyle
THE LORD OF THE RINGS: THE TWO TOWERS (New Line) Michael Horton
THE PIANIST (Focus Features) Hervé de Luze
Best foreign language film of the year
EL CRIMEN DEL PADRE AMARO An Alameda Films/BluFilms/Foprocine/Gob. del Estado de Veracruz-Llave Production
Mexico
HERO
A Beijing New Picture Film Company/Elite Group Enterprises Production
People’s Republic of China
THE MAN WITHOUT A PAST
A Sputnik Oy/Pandora Film/Pyramide Prods. Production
Finland
NOWHERE IN AFRICA
An MTM Medien & Television München Production
Germany
ZUS & ZO
A Filmprodukties de Luwte Production
The Netherlands
Achievement in makeup
FRIDA (Miramax) John Jackson and Beatrice De Alba
THE TIME MACHINE (DreamWorks and Warner Bros.) John M. Elliott, Jr. and Barbara Lorenz
Achievement in music written for motion pictures (Original score)
CATCH ME IF YOU CAN (DreamWorks) John Williams
FAR FROM HEAVEN (Focus Features) Elmer Bernstein
FRIDA (Miramax) Elliot Goldenthal
THE HOURS (Paramount and Miramax) Philip Glass
ROAD TO PERDITION (DreamWorks and 20th Century Fox) Thomas Newman
Achievement in music written for motion pictures (Original song)
Burn It Blue from FRIDA (Miramax)
Music by Elliot Goldenthal
Lyric by Julie Taymor
Father and Daughter from THE WILD THORNBERRYS MOVIE (Paramount and Nickelodeon Movies)
Music and Lyric by Paul Simon
The Hands That Built America from GANGS OF NEW YORK (Miramax)
Music and Lyric by Bono, The Edge, Adam Clayton and Larry Mullen
I Move On from CHICAGO (Miramax)
Music by John Kander
Lyric by Fred Ebb
Lose Yourself from 8 MILE (Universal)
Music by Eminem, Jeff Bass and Luis Resto
Lyric by Eminem
Best motion picture of the year
CHICAGO (Miramax)
A Producer Circle Co., Zadan/Meron Production
Martin Richards, Producer
GANGS OF NEW YORK (Miramax)
An Alberto Grimaldi Production
Alberto Grimaldi and Harvey Weinstein, Producers
THE HOURS (Paramount and Miramax)
A Scott Rudin/Robert Fox Production
Scott Rudin and Robert Fox, Producers
THE LORD OF THE RINGS: THE TWO TOWERS (New Line)
A New Line Cinema and Wingnut Films Production
Barrie M. Osborne, Fran Walsh and Peter Jackson, Producers
THE PIANIST (Focus Features)
An R.P. Productions, Heritage Films, Studio Babelsberg, Runtime LTD. Production
Roman Polanski, Robert Benmussa and Alain Sarde, Producers
Best animated short film
THE CATHEDRAL
A Platige Image Production
Tomek Baginski
THE CHUBBCHUBBS! (Columbia)
A Sony Pictures Imageworks Production
Eric Armstrong
DAS RAD
A Filmakademie Baden-Württemberg GmbH Production
Chris Stenner and Heidi Wittlinger
MIKE’S NEW CAR (Buena Vista)
A Pixar Animation Studios Production
Pete Docter and Roger Gould
MT. HEAD
A Yamamura Animation Production
Koji Yamamura
Best live action short film
FAIT D’HIVER
An Another Dimension of an Idea Production
Dirk Beliën and Anja Daelemans
I’LL WAIT FOR THE NEXT ONE … (J’ATTENDRAI LE SUIVANT …)
A La Boîte Production
Philippe Orreindy and Thomas Gaudin
INJA (DOG)
An Australian Film TV & Radio School (AFTRS) Production
Steven Pasvolsky and Joe Weatherstone
JOHNNY FLYNTON
A Red Corner Production
Lexi Alexander and Alexander Buono
THIS CHARMING MAN (DER ER EN YNDIG MAND)
An M&M Productions for Novellefilm Production
Martin Strange-Hansen and Mie Andreasen
Achievement in sound
CHICAGO (Miramax) Michael Minkler, Dominick Tavella and David Lee
GANGS O
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Adrien Brody in THE PIANIST (Focus Features)
Nicolas Cage in ADAPTATION (Sony Pictures Releasing)
Michael Caine in THE QUIET AMERICAN (Miramax and Intermedia)
Daniel Day-Lewis in GANGS OF NEW YORK (Miramax)
Jack Nicholson in ABOUT SCHMIDT (New Line)
Performance by an actor in a supporting role
Chris Cooper in ADAPTATION (Sony Pictures Releasing)
Ed Harris in THE HOURS (Paramount and Miramax)
Paul Newman in ROAD TO PERDITION (DreamWorks and 20th Century Fox)
John C. Reilly in CHICAGO (Miramax)
Christopher Walken in CATCH ME IF YOU CAN (DreamWorks)
Performance by an actress in a leading role
Salma Hayek in FRIDA (Miramax)
Nicole Kidman in THE HOURS (Paramount and Miramax)
Diane Lane in UNFAITHFUL (20th Century Fox)
Julianne Moore in FAR FROM HEAVEN (Focus Features)
Renée Zellweger in CHICAGO (Miramax)
Performance by an actress in a supporting role
Kathy Bates in ABOUT SCHMIDT (New Line)
Julianne Moore in THE HOURS (Paramount and Miramax)
Queen Latifah in CHICAGO (Miramax)
Meryl Streep in ADAPTATION (Sony Pictures Releasing)
Catherine Zeta-Jones in CHICAGO (Miramax)
Best animated feature film of the year
ICE AGE (20th Century Fox) Chris Wedge
LILO & STITCH (Buena Vista) Chris Sanders
SPIRIT: STALLION OF THE CIMARRON (DreamWorks) Jeffrey Katzenberg
SPIRITED AWAY (Buena Vista) Hayao Miyazaki
TREASURE PLANET (Buena Vista) Ron Clements
Achievement in art direction
CHICAGO (Miramax) Art Direction: John Myhre
Set Decoration: Gord Sim
FRIDA (Miramax) Art Direction: Felipe Fernandez del Paso
Set Decoration: Hannia Robledo
GANGS OF NEW YORK (Miramax) Art Direction: Dante Ferretti
Set Decoration: Francesca Lo Schiavo
THE LORD OF THE RINGS: THE TWO TOWERS (New Line) Art Direction: Grant Major
Set Decoration: Dan Hennah and Alan Lee
ROAD TO PERDITION (DreamWorks and 20th Century Fox) Art Direction: Dennis Gassner
Set Decoration: Nancy Haigh
Achievement in cinematography
CHICAGO (Miramax) Dion Beebe
FAR FROM HEAVEN (Focus Features) Edward Lachman
GANGS OF NEW YORK (Miramax) Michael Ballhaus
THE PIANIST (Focus Features) Pawel Edelman
ROAD TO PERDITION (DreamWorks and 20th Century Fox) Conrad L. Hall
Achievement in costume design
CHICAGO (Miramax) Colleen Atwood
FRIDA (Miramax) Julie Weiss
GANGS OF NEW YORK (Miramax) Sandy Powell
THE HOURS (Paramount and Miramax) Ann Roth
THE PIANIST (Focus Features) Anna Sheppard
Achievement in directing
CHICAGO (Miramax) Rob Marshall
GANGS OF NEW YORK (Miramax) Martin Scorsese
THE HOURS (Paramount and Miramax) Stephen Daldry
THE PIANIST (Focus Features) Roman Polanski
TALK TO HER (Sony Pictures Classics) Pedro Almodóvar
Best documentary feature
BOWLING FOR COLUMBINE (United Artists and Alliance Atlantis)
A Salter Street Films/VIF 2/Dog Eat Dog Films Production
Michael Moore and Michael Donovan
DAUGHTER FROM DANANG (Balcony Releasing in association with Cowboy Pictures)
An Interfaze Educational Production
Gail Dolgin and Vincente Franco
PRISONER OF PARADISE (Alliance Atlantis)
A Média Vérité/Café Production
Malcolm Clarke and Stuart Sender
SPELLBOUND (THINKFilm)
A Blitz/Welch Production
Jeffrey Blitz and Sean Welch
WINGED MIGRATION (Sony Pictures Classics)
A Galatée Films/France 2 Cinéma/France 3 Cinéma/Les Productions de la Guéville/Bac Films/Pandora Film/Les Productions JMH/Wanda Vision/Eyescreen Production
Jacques Perrin
Best documentary short subject
THE COLLECTOR OF BEDFORD STREET
An Alice Elliott Production
Alice Elliott
MIGHTY TIMES: THE LEGACY OF ROSA PARKS
A Tell the Truth Pictures Production
Robert Hudson and Bobby Houston
TWIN TOWERS
A Wolf Films/Shape Pictures/Universal/Mopo Entertainment Production
Bill Guttentag and Robert David Port
WHY CAN’T WE BE A FAMILY AGAIN?
A Public Policy Production
Roger Weisberg and Murray Nossel
Achievement in film editing
CHICAGO (Miramax) Martin Walsh
GANGS OF NEW YORK (Miramax) Thelma Schoonmaker
THE HOURS (Paramount and Miramax) Peter Boyle
THE LORD OF THE RINGS: THE TWO TOWERS (New Line) Michael Horton
THE PIANIST (Focus Features) Hervé de Luze
Best foreign language film of the year
EL CRIMEN DEL PADRE AMARO An Alameda Films/BluFilms/Foprocine/Gob. del Estado de Veracruz-Llave Production
Mexico
HERO
A Beijing New Picture Film Company/Elite Group Enterprises Production
People’s Republic of China
THE MAN WITHOUT A PAST
A Sputnik Oy/Pandora Film/Pyramide Prods. Production
Finland
NOWHERE IN AFRICA
An MTM Medien & Television München Production
Germany
ZUS & ZO
A Filmprodukties de Luwte Production
The Netherlands
Achievement in makeup
FRIDA (Miramax) John Jackson and Beatrice De Alba
THE TIME MACHINE (DreamWorks and Warner Bros.) John M. Elliott, Jr. and Barbara Lorenz
Achievement in music written for motion pictures (Original score)
CATCH ME IF YOU CAN (DreamWorks) John Williams
FAR FROM HEAVEN (Focus Features) Elmer Bernstein
FRIDA (Miramax) Elliot Goldenthal
THE HOURS (Paramount and Miramax) Philip Glass
ROAD TO PERDITION (DreamWorks and 20th Century Fox) Thomas Newman
Achievement in music written for motion pictures (Original song)
Burn It Blue from FRIDA (Miramax)
Music by Elliot Goldenthal
Lyric by Julie Taymor
Father and Daughter from THE WILD THORNBERRYS MOVIE (Paramount and Nickelodeon Movies)
Music and Lyric by Paul Simon
The Hands That Built America from GANGS OF NEW YORK (Miramax)
Music and Lyric by Bono, The Edge, Adam Clayton and Larry Mullen
I Move On from CHICAGO (Miramax)
Music by John Kander
Lyric by Fred Ebb
Lose Yourself from 8 MILE (Universal)
Music by Eminem, Jeff Bass and Luis Resto
Lyric by Eminem
Best motion picture of the year
CHICAGO (Miramax)
A Producer Circle Co., Zadan/Meron Production
Martin Richards, Producer
GANGS OF NEW YORK (Miramax)
An Alberto Grimaldi Production
Alberto Grimaldi and Harvey Weinstein, Producers
THE HOURS (Paramount and Miramax)
A Scott Rudin/Robert Fox Production
Scott Rudin and Robert Fox, Producers
THE LORD OF THE RINGS: THE TWO TOWERS (New Line)
A New Line Cinema and Wingnut Films Production
Barrie M. Osborne, Fran Walsh and Peter Jackson, Producers
THE PIANIST (Focus Features)
An R.P. Productions, Heritage Films, Studio Babelsberg, Runtime LTD. Production
Roman Polanski, Robert Benmussa and Alain Sarde, Producers
Best animated short film
THE CATHEDRAL
A Platige Image Production
Tomek Baginski
THE CHUBBCHUBBS! (Columbia)
A Sony Pictures Imageworks Production
Eric Armstrong
DAS RAD
A Filmakademie Baden-Württemberg GmbH Production
Chris Stenner and Heidi Wittlinger
MIKE’S NEW CAR (Buena Vista)
A Pixar Animation Studios Production
Pete Docter and Roger Gould
MT. HEAD
A Yamamura Animation Production
Koji Yamamura
Best live action short film
FAIT D’HIVER
An Another Dimension of an Idea Production
Dirk Beliën and Anja Daelemans
I’LL WAIT FOR THE NEXT ONE … (J’ATTENDRAI LE SUIVANT …)
A La Boîte Production
Philippe Orreindy and Thomas Gaudin
INJA (DOG)
An Australian Film TV & Radio School (AFTRS) Production
Steven Pasvolsky and Joe Weatherstone
JOHNNY FLYNTON
A Red Corner Production
Lexi Alexander and Alexander Buono
THIS CHARMING MAN (DER ER EN YNDIG MAND)
An M&M Productions for Novellefilm Production
Martin Strange-Hansen and Mie Andreasen
Achievement in sound
CHICAGO (Miramax) Michael Minkler, Dominick Tavella and David Lee
GANGS OF NEW YORK (Miramax) Tom Fleischman, Eugene Gearty and Ivan Sharrock
THE LORD OF THE RINGS: THE TWO TOWERS (New Line) Christopher Boyes, Michael Semanick, Michael Hedges and Hammond Peek
ROAD TO PERDITION (DreamWorks and 20th Century Fox) Scott Millan, Bob Beemer and John Patrick Pritchett
SPIDER-MAN (Sony Pictures Releasing) Kevin O’Connell, Greg P. Russell and Ed Novick
Achievement in sound editing
THE LORD OF THE RINGS: THE TWO TOWERS (New Line) Ethan Van der Ryn and Michael Hopkins
MINORITY REPORT (20th Century Fox and DreamWorks) Richard Hymns and Gary Rydstrom
ROAD TO PERDITION (DreamWorks and 20th Century Fox) Scott A. Hecker
Achievement in visual effects
THE LORD OF THE RINGS: THE TWO TOWERS (New Line) Jim Rygiel, Joe Letteri, Randall William Cook and Alex Funke
SPIDER-MAN (Sony Pictures Releasing) John Dykstra, Scott Stokdyk, Anthony LaMolinara and John Frazier
STAR WARS EPISODE II ATTACK OF THE CLONES (20th Century Fox) Rob Coleman, Pablo Helman, John Knoll and Ben Snow
Adapted screenplay
ABOUT A BOY (Universal) Screenplay by Peter Hedges and Chris Weitz & Paul Weitz
ADAPTATION (Sony Pictures Releasing) Screenplay by Charlie Kaufman and Donald Kaufman
CHICAGO (Miramax) Screenplay by Bill Condon
THE HOURS (Paramount and Miramax) Screenplay by David Hare
THE PIANIST (Focus Features) Screenplay by Ronald Harwood
Original screenplay
FAR FROM HEAVEN (Focus Features) Written by Todd Haynes
GANGS OF NEW YORK (Miramax) Screenplay by Jay Cocks and Steve Zaillian and Kenneth Lonergan
Story by Jay Cocks
MY BIG FAT GREEK WEDDING (IFC/Gold Circle Films) Written by Nia Vardalos
TALK TO HER (Sony Pictures Classics) Written by Pedro Almodóvar
Y TU MAMÁ TAMBIÉN (IFC Films) Written by Carlos Cuarón and Alfonso CuarónAcademy Award winner previously announced this year: Honorary Award (Oscar statuette): Peter O’Toole.
One Response to “Oscar is back!!!”




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